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Advocacy Group Asserts to Have Extracted Millions of Audio Files from the Streaming Giant

A digital rights organization has stated to have harvested a vast number of tracks from Spotify and is getting ready to publish them online.

Potential Impetus for AI Development

Industry experts noted the seeming leak could boost AI companies looking for material to train their models.

An entity known as Anna’s Archive said it had obtained 86 million music files from the platform and 256 million entries of metadata such as artist and record names. The company, which carries more than 100 million songs, stated that the leak did not represent its entire inventory.

“We have located and disabled the nefarious user accounts that were involved in illegal scraping,” stated a company spokesperson.

The Swedish service, which has more than 700 million subscribers worldwide, added that an inquiry into unauthorised access identified a external actor collected public metadata and used questionable methods to circumvent DRM protections.

Group's Stated Mission and Concerns

The streaming service does not believe the music acquired by Anna’s Archive has been released yet. Anna’s Archive, which is known for providing links to pirated books, wrote in a blog it wanted to create a ‘preservation archive’ for music.

The group claimed the music files accounted for 99.6% of all music listened to by its listeners and would be shared via ‘peer-to-peer networks’, a method of exchanging large data files online.

“Of course the service doesn’t have all the music in the world, but it’s a great beginning,” commented Anna’s Archive, which describes its purpose as “safeguarding humanity’s knowledge and heritage”.

Model Development and Intellectual Property Battleground

A composer and campaigner for protecting artists’ copyright, remarked the leaked music would likely be used for developing artificial intelligence systems.

“Training on pirated material is sadly widespread in the AI industry, so this accessed music is highly likely to end up instructing AI models,” he said.

The group's website makes references to LibGen, a vast online repository of pirated books that has allegedly been used by Meta to develop its systems.

The co-founder of an AI startup wrote on LinkedIn that members of the public could in theory “create their own personal free equivalent of the service”. He added it could also allow technology firms to “educate models on modern music at scale”.

Copyright has emerged as a key issue between artists, writers and creatives on one side and AI companies on the other.

Policy Considerations and Reactions

Across Britain, artists and writers have raised concerns against a ministerial proposal to let AI companies use protected work without consent unless the rights holder signals. Almost every participant to a government consultation on the proposal has supported artists’ concerns.

A government minister for technology, innovation and development informed parliament this month there was “little consensus” on the matter, adding that ministers would “take the time to get this right”. The government has pledged to make policy proposals on AI and copyright by March 2025.

TM
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Travis Marshall

Liam is a passionate tabletop gamer and writer who explores the vibrant UK dice community.

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